The evidence to which Jesus points is not immediately conclusive, as it does not chime in with the popular (and probably John’s) idea of the Messiah’s work. But his words are an unmistakable allusion to passages in Isaiah which describe God’s saving work (Isa. 35:5–6; cf. 29:18), and the mission of his anointed servant (Isa. 61:1). Six specifics are enumerated:
- the healing of blindness (cf. 9:27–28; 12:22; 20:30; 21:14),
- lameness (cf. 15:30–31; 21:14),
- leprosy (cf. 8:20),
- deafness (cf. 9:32–33; 12:22; 15:30–31);
- the raising of the dead (cf. 9:18; 10:8); and
- evangelism to the poor (cf. 4:14–17, 23; 5:3; Luke 4:18).
If these did not form part of the general expectation, and of John the Baptist’s, they should have. In Jesus’ own understanding of his mission, Isaiah 61:1–2 looms large. The relief of suffering, literally fulfilled in his healing miracles, reaches its climax in good news to the poor, the godly minority described in the beatitudes of chapter 5 (the ‘ănāwim). If this is too gentle a mission for John’s Messianic hopes, he has missed the biblical pattern on which Jesus’ mission is founded.
Jesus seems to understand the difference in messianic expectations and the true nature of the kingdom and so hopes that none take offence (v.6). This is the same verb (skandalízō) as in 5:29–30, ‘be tripped up by’. Many were ‘put off’ by Jesus, when his style of ministry failed to tally with their expectations, and even offended against accepted conventions. ‘Good news to the poor’ was an offence to the establishment, while a mission of the relief of suffering and the restoration of sinners would be at best irrelevant to those who fought for national liberation. It took spiritual discernment not to be ‘put off’ by Jesus, and such perception was enviable. And blessed is the one who takes no offense at me – while it applies directly to John’s state of uncertainty, this beatitude is also a key to the theme of this section of the Gospel, which will introduce many who found Jesus hard to take.
Image credit: Christ Presenting the Keys to Saint Peter, c. 1636-40, by Nicholas Poussin, Public Domain
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