This coming Sunday is the 32nd Sunday in Ordinary Time, Lectionary Cycle C. In yesterday’s post we considered the identity of the Sadducees and their resistance to the idea of Resurrection. Today we pick up the dialogue between Jesus and the Sadducees.
“Teacher, Moses wrote for us, ‘If someone’s brother dies leaving a wife but no child, his brother must take the wife and raise up descendants for his brother.’ 29 Now there were seven brothers; the first married a woman but died childless. 30 Then the second 31 and the third married her, and likewise all the seven died childless. 32 Finally the woman also died. 33 Now at the resurrection whose wife will that woman be? For all seven had been married to her.”
This is the year in which we primarily read from the Gospel of Mark – at least on Sundays. But since it is the shortest of the gospels, we supplement it with a lot from the other three gospels. Like 
One of the amazing stained-glass windows in our church is the triptych window of the Resurrection on the first Easter Sunday. It is a piece that takes its place in the gallery of Resurrection artwork across Christianity. Depictions and artwork that has graced the walls of catacombs of ancient Rome, as well as more formal works such as frescos, icons, illuminated manuscripts, altar pieces, Romanesque reliefs, sculptures and more. The Resurrection has been depicted by the great artists of the West: Caravaggio, Peter Paul Rubens, Annibale Carracci, Giotto, Titian, Piero della Francesca, Fra Angelico, El Greco, Jan van Eyck, Raphael, and Michelangelo. 
This coming Sunday marks our journey in Ordinary Time, the 
In Luke’ narrative there is no account of the Resurrection; there in only the empty tomb – which is not the source of faith for people in Luke’s rendering of the gospel. Rather, in Luke’s gospel it is the empty tomb 
friarmusings 