The Passion Narrative

Each year “Psalm Sunday” includes not only the entry into Jerusalem, but also a proclamation of the Passion Narrative – this year from the Gospel of Luke. Each gospel includes a version of the narrative which provides the climax for each of the four gospels, catching up themes that have woven their way through the evangelists’ entire portrayal of Jesus’ life and bringing them to a dramatic completion. In deft strokes the evangelists tell us of the final hours of Jesus’ life – his last meal with his disciples; his arrest in Gethsemane; his interrogation by the religious leaders; the trial before Pilate; and finally the heart clutching scenes of Jesus’ crucifixion, death and burial.

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The opposition grows

This coming Sunday is the sixth Sunday in the Lenten season called Palm Sunday of the Lord’s Passion.

39 Some of the Pharisees in the crowd said to him, “Teacher, rebuke your disciples.” 40 He said in reply, “I tell you, if they keep silent, the stones will cry out!”

The first sign of opposition to Jesus in Jerusalem arises in the response of the Pharisees to the phenomenon of Jesus’ approach to the city.

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The King

This coming Sunday is the sixth Sunday in the Lenten season called Palm Sunday of the Lord’s Passion. The kingship motif that is implicit in the details of the processional entrance to this point becomes explicit in the praise of the multitude: “Blessed is the king….”  The verse is drawn from one of the Hallel psalms (Ps 118:26), which was used to welcome pilgrims coming to Jerusalem for the pilgrimage festivals. Luke, however, has added both the royal title “the king” and the last couplet. The use of the title contributes to the kingship motif developed by the acclamation of Jesus as the “Son of David” in Jericho (18:38–39), the parable of the greedy and vengeful king (19:11–27), and by the overtones of the entrance procession. The last couplet echoes the words of the heavenly host at Jesus’ birth (2:14). Now, Jesus is hailed as the bringer of “peace in heaven” and “glory in the highest heaven.” Jesus’ reign as king will bring shalom on the earth and glory to God.

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The entrance procession

This coming Sunday is the sixth Sunday in the Lenten season called Palm Sunday of the Lord’s Passion. Each year we read a different gospel at the beginning of this Mass as we follow the Lectionary cycle. Mark, Matthew and Luke all have accounts – John too – and all are similar, none are identical. The differences are sometimes just that, differences, but sometimes there is a point the sacred author is making that is brought out in the differences. In the Lukan account we read:

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Raise your eyes

The first reading today is from the Book of Numbers 21:4-9:

With their patience worn out by the journey, the people complained against God and Moses, “Why have you brought us up from Egypt to die in this desert, where there is no food or water? We are disgusted with this wretched food!” In punishment the LORD sent among the people saraph serpents, which bit the people so that many of them died. Then the people came to Moses and said, “We have sinned in complaining against the LORD and you. Pray the LORD to take the serpents from us.” So Moses prayed for the people, and the LORD said to Moses, “Make a saraph and mount it on a pole, and if any who have been bitten look at it, they will live.” Moses accordingly made a bronze serpent and mounted it on a pole, and whenever anyone who had been bitten by a serpent looked at the bronze serpent, he lived.

The Book of Numbers is the title of the book in English, but the Hebrew title is, more commonly, bemiḏbar, “in the wilderness [of]”). “In the wilderness” describes the contents of the book much better than “numbers,” which is derived from the censuses described in later chapters. Our passage occurs after God has assigned them to wander in the desert for a generation because of their rebellion against the leadership of God. They seem to have to fight their way through the wilderness. 

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Approach to the City

This coming Sunday is the sixth Sunday in the Lenten season called Palm Sunday of the Lord’s Passion. Luke portrays Jesus’ entry into the holy city in four scenes (vv. 28–48), the first two concerned with the acquisition of a colt for the short trip from the Mount of Olives to the city and the entry itself (vv. 28–40). These two serve a common theme—namely, Jesus’ royal personage. As will become evident, the whole process from obtaining a colt to the crowds’ proclaiming Jesus king is wrapped in the eschatological expectation and scriptural allusion (esp. Psalm 118 and Zech 9:9). 

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New Lukan Themes

Earlier today a post gave the context of the Lukan narrative in which the entrance into Jerusalem marks the end of the travel dialogue. Every end is then a new beginning and so too here. In the chapters that follow mark a transition in themes that Luke emphasizes: Christology and Discipleship, Division in Israel, and Universal Salvation. The insights are from the scholar Joel Green.

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Palm Sunday: context

This coming Sunday is the sixth Sunday in the Lenten season called Palm Sunday of the Lord’s Passion. It is often popularly called “Palm Sunday” but it is a Sunday in which there are two gospels proclaimed  (Luke 19:28-40 and 22:14-23:56). At the entrance procession in Year C of the Lectionary, the Lukan account of Jesus’ entry into Jerusalem is read. In the Liturgy of the Word, the Passion Narrative is proclaimed.

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A Textual History of this Passage

The pericope of the “woman caught in adultery” is beloved and well-known. And yet, it does not appear in the oldest manuscripts of John’s Gospel. When it is found in older manuscripts it is located in other positions, either after verse 36, or after verse 44, or at the end of this Gospel, or even in another gospel: following Luke 21:38. 

We are left to conjecture that the biblical scribes thought it too important to be lost but had little clue as to its proper location. Further complicating the provenance of the passage, the different manuscripts do not agree on the text either. In addition, some scholars hold that the style of writing is not consistent with the remainder of the gospel. Other don’t disagree, but hold that the passage is too short with limited vocabulary to make definitive judgements about the stylistic quality. But most, if not all, would agree that the spirit of the narrative is compatible with the Johannine message. It is also noted that the passage does not fit well into the context of Chapter 7 while noting 8:12 makes for more logical continuation following 7:52.

Throughout the history of the church it has been held that, whoever wrote it, this little story is authentic. It is referred to by the late 1st century bishop Papias who was a student of St. John the Evangelist. It is also mentioned in the Apostolic Constitutions (2.24). 

If you look closely at your bible you will likely see brackets ([ ]) surrounding the passage with accompanying footnotes referencing its uncertain manuscript history. The Catholic Church has long held it to be part of the Canon of Scripture.


Image Credit: Detail of “Christ and the Adulteress” Rembrandt, 1644 | National Gallery London | PD-US

A Reflection from Pope Francis

Reflecting on the story in John’s gospel of the woman caught in adultery, Pope Francis says: “the Gospel says that everyone went away, one by one, beginning with the elders: it is evident that they had a big debt against them in the bank of heaven.” Then comes “the moment of Jesus, the Confessor”. He was left alone with the woman standing before him. “Jesus was bending down and was writing with his finger on the ground. .. Then “he got up and looked” at the woman, who was “full of shame, and he said to her: Woman, where are they? Has no one condemned you? We are alone, you and I. You are standing before God, without accusations, without gossip: you and God”.

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