Much of our religious consciousness is affected by art; we have inherited specific images that are more artistic than biblical.  For example, we always imagine St. Paul being knocked from a horse on the Damascus Road.  There is no mention of the horse in scripture.  Is that a bid deal? Perhaps not.  But when Caravaggio placed Paul on the horse, a sign of privilege or royalty, he removed Paul from the midst of Corinth, the hard-scrabbled sea port town, from among the drunks, slackards, ner-do-wells, and people who sorely needed salvation. Continue reading →