Fantastic Fishing

This coming Sunday is the Third Sunday of Easter, Year C. The gospel is taken from John 21:1-19, a scene on the shore of the Sea of Galilee. This after the Resurrection and, as instructed, the disciples have returned to Galilee – and it seems, taken up their former profession as fishermen.

4 When it was already dawn, Jesus was standing on the shore; but the disciples did not realize that it was Jesus. 5 Jesus said to them, “Children, have you caught anything to eat?” They answered him, “No.” 6 So he said to them, “Cast the net over the right side of the boat and you will find something.” So they cast it, and were not able to pull it in because of the number of fish.

Continue reading

Context and the Scholars

This coming Sunday is the Third Sunday of Easter in Lectionary Cycle C. The gospel is taken from John 21:1-19, a scene on the shore of the Sea of Galilee.  Our gospel describes the Apostle’s encounter with Jesus at the Sea of Tiberias. These verses are from the final chapter in the Gospel according to John. Immediately preceding this chapter are these verses: “Now Jesus did many other signs in the presence of (his) disciples that are not written in this book.  But these are written that you may (come to) believe that Jesus is the Messiah, the Son of God, and that through this belief you may have life in his name.” (John 20:30-31)  

Such are the closing verses at the end of the so-called “Doubting Thomas” narrative of John’s gospel (“Believing Thomas” is the better #hashtag). It reads as a great ending to the whole gospel. That is why many scholars argue that John 21 is an addition to an original Gospel version that concluded at the end of John 20. But the problem with that view is that John 21 is found in every ancient manuscript of the Gospel that we possess and, if it was appended, must have been appended almost with the original publication of the work. 

Continue reading

Post-Easter Gospels

Each Easter season the gospels are always taken from the Gospel of John. This is intentional and deeply theological. By consistently drawing from John during Easter, the Church ensures a theological and spiritual progression from the Resurrection to the sending of the Holy Spirit at Pentecost, helping the faithful grow in understanding and living out the Paschal Mystery drawing on the following:

Johannine Themes of Resurrection and New Life – The Gospel of John provides a profound theological reflection on Jesus’ Resurrection, emphasizing themes of new life, belief, and the presence of the risen Christ among His disciples. These themes align perfectly with the Easter season, which celebrates Christ’s victory over death and the new life He offers.

Post-Resurrection Appearances –  Many of the post-Resurrection accounts, including Jesus’ encounters with Mary Magdalene, Thomas, and the disciples by the Sea of Galilee, are found in John (chapters 20–21). These readings reinforce the reality of the Resurrection and its transformative power in the lives of believers.

The Good Shepherd and the Promise of the Holy Spirit – The Fourth Sunday of Easter is traditionally known as “Good Shepherd Sunday,” and the Gospel is always taken from John 10, where Jesus describes Himself as the Good Shepherd. The later Sundays of Easter (especially leading up to Pentecost) feature readings from John 14–17, known as the “Farewell Discourse”, where Jesus promises the coming of the Holy Spirit, preparing the Church for Pentecost.

Liturgical Continuity and Catechesis – The Easter season is a time of mystagogy—a deepening of faith for the newly baptized. The Gospel of John, with its rich sacramental theology (e.g., Baptism, Eucharist, the gift of the Holy Spirit), provides ideal material for instructing and strengthening the faithful.


Image credit: The Meal – Jesus and his Apostles | James Tissot, ca.1890 | Brooklyn Museum | PD-US

Thomas

This coming Sunday is the 2nd Sunday of Easter, Divine Mercy Sunday. The gospel is taken from John 20:19-31, the scene in the Upper Room on the evening of the Resurrection. In today’s post we briefly consider the passage known as the “Doubting Thomas” verses:

“…do not be unbelieving, but believe.”  24 Thomas, called Didymus, one of the Twelve, was not with them when Jesus came. 25 So the other disciples said to him, “We have seen the Lord.” But he said to them, “Unless I see the mark of the nails in his hands and put my finger into the nailmarks and put my hand into his side, I will not believe.” 26 Now a week later his disciples were again inside and Thomas was with them. Jesus came, although the doors were locked, and stood in their midst and said, “Peace be with you.” 27 Then he said to Thomas, “Put your finger here and see my hands, and bring your hand and put it into my side, and do not be unbelieving, but believe.” 28 Thomas answered and said to him, “My Lord and my God!” 29 Jesus said to him, “Have you come to believe because you have seen me? Blessed are those who have not seen and have believed.” 30 Now Jesus did many other signs in the presence of (his) disciples that are not written in this book. 31 But these are written that you may (come to) believe that Jesus is the Messiah, the Son of God, and that through this belief you may have life in his name.

Continue reading

The Spirit and forgiveness of sin

This coming Sunday is the 2nd Sunday of Easter, Divine Mercy Sunday. The gospel is taken from John 20:19-31, the scene in the Upper Room on the evening of the Resurrection.  In today’s post we briefly consider:  22 And when he had said this, he breathed on them and said to them, “Receive the holy Spirit. 23 Whose sins you forgive are forgiven them, and whose sins you retain are retained.”

The sacred writer had already introduced the giving of the Holy Spirit in John 7 in a scene during the Feast of Tabernacles in which the Spirit is promised at a future time when Jesus was glorified. In the Fourth Gospel it is at the crucifixion that Jesus is glorified in that his willing obedience manifests the nature of God, which is love. It is there on the cross that Jesus delivers the Spirit into the world (19:30), symbolized immediately afterward by the flow of the sacramental symbols of blood and water. 

Continue reading

Peace be with you

This coming Sunday is the 2nd Sunday of Easter, Divine Mercy Sunday. The gospel is taken from John 20:19-31, the scene in the Upper Room on the evening of the Resurrection. . 

19 On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” 20 When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. 21 (Jesus) said to them again, “Peace be with you. As the Father has sent me, so I send you.”

Continue reading

On the evening of the first day

This coming Sunday is the 2nd Sunday of Easter, Divine Mercy Sunday. The gospel is taken from John 20:19-31, the scene in the Upper Room on the evening of the Resurrection. Our gospel contains the second and third appearances of the risen Jesus in John’s gospel. These three appearances take place in Jerusalem.  There is a fourth and final appearance of Jesus later in a section referred to as the “Epilogue” of John.  This appearance is at the “Sea of Tiberias” in Galilee (John 21).

In the Johannine narrative our gospel occurs on what has been a full day: “On the evening of that first day of the week.”  It was just that morning that Mary Magdalene had visited the tomb and confessed, “They have taken the Lord from the tomb, and we don’t know where they put him” (20:2) – ironically echoing one the decisive misunderstanding of Jesus’ ministry: from where did Jesus come and where is he going (e.g. 7:33-36, 8:21-23).  Mary became the first disciple of the good news of the empty tomb conveying the word to Peter and “the one whom Jesus loved.” Slowly the implications of the empty tomb and the burial linens come to the disciples and they begin to understand – each in differing ways and to varying degrees. The disciple whom Jesus loved “saw and believed” (20:8), however “they did not yet understand the scripture that he had to rise from the dead” (v.9).

At this point, it is perhaps that their faith is as complete as faith in the empty tomb can be, but as many commentators have noted, to assign to the disciples a full belief in the Resurrection is to rush the story. Resurrection faith begins when Mary encounters Jesus in the garden and he is revealed as the Risen Christ and Good shepherd – he knows his sheep by name and they respond to his voice (10:3-4, 12,16, 24; cf Is 43:1). In telling Mary “stop holding onto me” (v.17) Jesus lets Mary (and the reader) know that the unfolding of the events of the hour are continuing.

In the course of these posts we will consider the key words/phrases of “peace”, “sent”, “he breathed on them and said to them, “Receive the holy Spirit”, “Whose sins you forgive are forgiven them, and whose sins you retain are retained.” and more


Image credit: Maesta altar piece, Duccio di Buoninsegna, 1308, Museo dell’Opera Metropolitana del Duomo, Siena | Public Domain

Easter Sunday – The Empty Tomb

While the details within and among the gospels vary, all record that Jesus’ body, after his death on the cross, was laid in a tomb provided by Joseph of Arimathea. All four gospels then come to their crowning point in the account of the Resurrection, but each in its own way. They all agree that women came to the tomb:

  • After the sabbath, as the first day of the week was dawning” (Matthew 28:1)
  • When the sabbath was over…Very early when the sun had risen, on the first day of the week” (Mark 16:1-2)
  • But at daybreak on the first day of the week” (Luke 24:1)
  • On the first day of the week…early in the morning, while it was still dark” (John 20:1)

All agree that the Sabbath was complete and it was the first day of the week – Sunday in the Christian reckoning. One might notice that the synoptic gospels (Matthew, Mark, and Luke) all report that the sun was rising in the dawn of this new day, however, John reports that it was still dark. One needs to remember that John uses “dark” to describe unknowing, unbelief and things similar rather than time of day. In the Johannine gospel “unknowing” is an apt description of Mary Magdalene and the disciples.

If you would like to read more about the Johannine narrative of Easter Mornring, click the button below


Image credit: Canva | George Corrigan | CC-0

Descent from the Cross

Museum of the Bible in Washington DC has a beautiful exhibition, Descent from the Cross. This exhibition explores how 21 artists across five centuries, multiple genres, and mixed media have visualized the scene in The Gospel of John, chapter 19, the moment Jesus is removed from the cross. This moment, traditionally called “Deposition” or “Descent from the Cross,” is not described in the Bible. There are no details explaining the process or who was present. Because of this, artists across the centuries have interpreted this emotional moment in unique and varying ways, each filling in the blanks with what they think might have happened. It has become a popular scene in art history, and thus a part of our shared visual language.

The earliest-known renderings of the scene appeared in the ninth century and soon became part of a cycle through the life of Christ and his passion, later known as the Stations of the Cross. But perhaps the most influential depiction was painted by Flemish master painter Rogier van der Weyden in 1435. The unique shape of the composition and the cramped “box” that the characters occupy create a theatrical look, like that of a stage play or a diorama. The sharp angles and rich details reflect the late Gothic, early Renaissance styles of northern Europe, and the crossbows seen in the corners honor the patron of this piece, the Leuven Guild of Archers.

Museum of the Bible

You can see the exhibit virtually at the Museum’s website by clicking the button below.


Image credit: Descent from the Cross | Rogier van der Weyden, ca. 1435 | Museo del Prado, Madrid | PD-US

The Gospel for Holy Thursday

The gospel reading for the Mass of the Lord’s Supper on Holy Thursday evening is always taken from the Gospel of John 13:1-15. This week I have been posting about the Passion, but here on Holy Thursday, rather than posting the biblical commentary over days, if you are interested to read short commentary on text, simply click the button below.


Image credit: Image credit: “The Last Supper,” by Ugolino da Siena, circa 1325-30, Italian. (Metropolitan Museum of Art) | Public Domain