Triduum: a love story

A reflection for the Readings on Spy Wednesday: Holy Week is a story told in three acts.

Act 1: Love Portrayed.  All Lent we have seen Love Portrayed:  Jesus transfigured on the mountain top. The glory of God revealed and yet what would seem to be the final scene of the play is but the beginning. We’ve more to hear, more to see. Especially in the daily gospels we have acts of love. A man born blind who now sees. Lessons on unlimited forgiveness. Teachings on the great commandments of loving God and neighbor. And so many more scenes of love portrayed.  The disciples believe because they have seen and heard the power of God in the world.

Love is portrayed by the people of the city of God, Jerusalem, who welcome Jesus with palm branches waved and laid upon the road as one who greets the arriving king. Cries of “Hosanna…. hosanna in the highest”  The cry reserved for the Messiah.  Their love is portrayed in the hopes they pray the Nazarene can fulfill.  All believe – in the enthusiasm of the moment it is easy to believe.

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A Play in 3 Acts

A reflection for the Readings on Spy Wednesday: Holy Week is a story told in three acts.

Act 1: Love Portrayed.  All Lent we have seen Love Portrayed:  Jesus transfigured on the mountain top. The glory of God revealed and yet what would seem to be the final scene of the play is but the beginning. We’ve more to hear, more to see. Especially in the daily gospels we have acts of love. A man born blind who now sees. Lessons on unlimited forgiveness. Teachings on the great commandments of loving God and neighbor. And so many more scenes of love portrayed.  The disciples believe because they have seen and heard the power of God in the world. Continue reading

Sent into the naked city

There is a lot going on in the readings of Holy Week. Today is “Spy Wednesday” with Judas busy about the his treachery and betrayal. As we move farther into the week, the story line seems to narrow from Jesus in the public square of Jerusalem to his gathering with his disciples for a last supper, a Passover meal.  And the story continues it narrows, leaving accounts of individuals all moving into isolation. Peter falls into the slumber of a long night while Jesus prays. Jesus is arrested and Peter waits, far removed, in a courtyard. When asked if he is with Jesus, he withdraws through his denial, and then he is alone. The sum of all these individual stories leaves Jesus alone. It is a brand of social distancing to another end, but social distancing nonetheless. Jesus is the contagion people wish to avoid. And so they separate themselves from being in contact with Him and, in the end, each other. The community of disciples is no longer together. Continue reading

Betrayal: Spy Wednesday

Today is known as “Spy Wednesday”, a reference to the betrayal of Jesus by Judas Iscariot for thirty silver coins. This event is described in the three Synoptic Gospels: Matthew 26:14-16, Mark 14:10-12, Luke 22:3-6. We know that Judas’ betrayal was but part of a larger vortex of events that would lead to Jesus’ arrest, trails, scourging, crucifixion, and death. Only Matthew (Matthew 27:3-6 ) narrates Judas’ own death. Continue reading

Spy Wednesday

thirty-pieces-of-silverToday is known as “Spy Wednesday”, a reference to the betrayal of Jesus by Judas Iscariot for thirty silver coins. This event is described in the three Synoptic Gospels: Matthew 26:14-16, Mark 14:10-12, Luke 22:3-6. We know that Judas’ betrayal was but part of a larger vortex of events that would lead to Jesus’ arrest, trails, scourging, crucifixion, and death. Only Matthew (Matthew 27:3-6 ) narrates Judas’ own death.

For all this, Judas’ name is synonymous with betrayal, and Dante, in Canto XXXIV of his “Inferno,” places him in the very lowest circle of Hell, being devoured eternally by a three-faced, bat-winged devil. Virtually every image we carry about Judas comes from Dante or a later artistic portrayal of the man – e.g., reddish hair color (Harvey Keitel in “The Last Temptation of Christ”) or his fiery disposition (“Jesus Christ Superstar”). Continue reading

Holy Week

When I was a child, I used to walk five miles to school in the snow, just to let them know that I was too sick to come to school that day.” So my father used to tell me. Hmmm…? Really – but hey, dad was really old, right? He probably grew up in the ice age and maybe the weather was very different back then. Such are the stories of our youth as parents try to teach us the lessons of life, sometimes wrapped in yarns, tall-tales, and memories of a different time and place. I still wonder how the to-and-from the store was uphill both ways. Continue reading

Judas: Spy Wednesday

thirty-pieces-of-silverToday is known as “Spy Wednesday”, a reference to the betrayal of Jesus by Judas Iscariot for thirty silver coins. This event is described in the three Synoptic Gospels: Matthew 26:14-16, Mark 14:10-12, Luke 22:3-6. We know that Judas’ betrayal was but part of a larger vortex of events that would lead to Jesus’ arrest, trails, scourging, crucifixion, and death. Only Matthew (Matthew 27:3-6 ) narrates Judas’ own death.

For all this, Judas’ name is synonymous with betrayal, and Dante, in Canto XXXIV of his “Inferno,” places him in the very lowest circle of Hell, being devoured eternally by a three-faced, bat-winged devil. Virtually every image we carry about Judas comes from Dante or a later artistic portrayal of the man – e.g., reddish hair color (Harvey Keitel in “The Last Temptation of Christ”) or his fiery disposition (“Jesus Christ Superstar”). Continue reading

Spy Wednesday

thirty-pieces-of-silverToday is known as “Spy Wednesday”, a reference to the betrayal of Jesus by Judas Iscariot for thirty silver coins. This event is described in the three Synoptic Gospels: Matthew 26:14-16, Mark 14:10-12, Luke 22:3-6. We know that Judas’ betrayal was but part of a larger vortex of events that would lead to Jesus’ arrest, trails, scourging, crucifixion, and death. Only Matthew (Matthew 27:3-6 ) narrates Judas’ own death.

For all this, Judas’ name is synonymous with betrayal, and Dante, in Canto XXXIV of his “Inferno,” places him in the very lowest circle of Hell, being devoured eternally by a three-faced, bat-winged devil. Virtually every image we carry about Judas comes from Dante or a later artistic portrayal of the man – e.g., reddish hair color (Harvey Keitel in “The Last Temptation of Christ”) or his fiery disposition (“Jesus Christ Superstar”). Continue reading